"ALEXA Mini’s were chosen for ‘The Irishman’ as witness cameras for their light weight. We used them in something we called the ‘Three-Headed Monster.’ It’s a three-in-one-camera rig, that could work as one camera -- on a fluid head, a remote head, or even on a Steadicam." -- Director of Photography Rodrigo Prieto

"Using the ALEXA Mini was absolutely the right camera for 'Carnival Row'. It is compact, robust and we used it on techno cranes, cable camera rigs, handheld, Steadicam, Ronin rigs etc. It proved its value with its compact size when being used in tight corners both in sets and in horse driven carriages." - Chris Seager. 

Gaffer Mike Bauman on Ford v. Ferrari (Le Mans 66): "This scene was shot at the end of day when we needed to make adjustments to the light intensity and color temperature as the sun went down. The 360 SkyPanels were perfect to match the color temperature for very warm with the setting sun to the blue of dusk after the sun went down. All of these adjustments had to happen very quickly and the SkyPanel worked great."

Cancun-based filmmaker Rodrigo Violante used ARRI Signature Primes to capture this underwater footage of great white sharks. Signature Primes cover an image circle of up to 46mm and are compatible with any camera with an LPL adapter. Thanks to Rodrigo for sharing this incredible footage! 

Eight of nine Best Picture nominees relied on ARRI cameras to bring their vision to life! Congratulations to all of the nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Parasite. And a shout out to "Joker" for leading the nominations with 11 mentions and for making Oscars history as it joins “Black Panther” as only the second comic book movie ever to earn a nomination for best picture. Joker Movie was shot on ALEXA 65 and serviced by ARRI Rental.

Known for capturing warm, smooth skin tones, with exceptionally soft bokeh and delicate flares, the Signature Primes are the first full range of large-format lenses designed specifically for digital cinematography.